The Process involved in doing a Commission.

 

"Sirius Cove, Distant Rain" 180 x 100 cm Oil on Canvas 

I have finished this large seascape and delivered it to the client last weekend. 

It took a few trips: first one was to meet the client and see the space. And they showed me their 'backyard' which was this view: Sirius Cove

Then I returned the next day and did two plein air studies:

I used these paintings to create a 'mock-up' of the client's living room with a selection of layouts.

Vertical was a their original request.

Horizontal was my preference.

Then I added a less colourful version.

This last one they preferred, so my next visit was planned for an overcast day. 

I needed photographs that would help with that 'mood'.

And many more!

The final photomontage image.

I used photoshop to arrange the different shots.

I cut and pasted the foreground and the two sides. 

It's not accurate, but it gives the right impression.

This composite image became my 'muse' and I was able to sketch up and paint the canvas from this.

Tonal sketch on the canvas

Finished!

I added the appropriate hardware and delivered the painting. 

And I can report that the clients were very happy.

My final thoughts on commission. 

Firstly, it has to be a subject that you are interested in painting, and can visit. 

Secondly, the price has to be fair, considering that it is an interruption to your usual work. (Unless commissions are your main job!)

Thirdly, making small version and getting approval from the client is important. I recently did a large montage of Le Tour de France riders, and the client did not like the riders that I chose to illustrate. His list was for the old champions who all took drugs!! So I was not interested in that and did my own guys, from that years TDF.

He didn't like it, and didn't take it. (Later he did, but for a discounted price, as I needed it gone!!) But the lesson was: get the client to approve your sketch, so that they know what they will be getting.

Bye for now

Shirley

Plein Air at Mudgee

 Another week of painting with new and old friends.

"River Sentinals" 16 x 20" Oil on Canvas

"View from the Vineyard" 30 x 40" Oil on Canvas

"The General Store at Hill End"

30 x 40" Oil on Canvas

Plein Air Painting at Blackheath

We joined with four other painters in a three day painting holiday at Blackheath, NSW Australia. Blackheath is a lovely old town at the top of the Blue Mountains, not too far from my home at Mulgoa.

We stayed at a rental cottage and travelled to nearby lookouts, painting all day, every day. 

John Rice (right) paints atmospheric rural scenes with huge gums and misty rivers; Don Talintyre (centre) is an established plein-air landscape artist; Bob, my husband, came for the company. (he doesn't paint.)

Salwa Woodroffe (above) is a "modern" oil painter, who paints a variety of subjects, such as portraits and landscapes, 

where as I (above) am half modern, but trying to practice a more traditional method for my landscapes en Plein air. 

We also had a talented local artist, David Landgrebe, paint with us each day (left).

Here are some random shots from the days:

Salwa near the edge.

John Rice and Salwa Woodroffe.

Painting early before the mist rose.

David Landgrebe

John Rice

Don Talintyre

Three painters in the field!

John Rice

My set up for video.

Beautiful cave formations.

Vistas to fly through! (We painted from the
hang-gliders' launch pad!)

Escarpments.

Valleys

An easel on the edge.

My first finished painting: Anvil Rock

Seven half finished paintings at home, waiting for attention. 

I'll post them when I'm done.

I'm back on the video wagon!

 After a few months break, to paint Le Tour de France, build a chicken coup and xmas of course!

I'm now back making 'Learn to Paint" videos, and this is my first one for the year. Why not jump over and check it out?

https://youtu.be/1YFHWfCdLcU

I have been doing some plain-air landscapes lately.

Above is the view out my studio window. I have a classic dam in my backyard, and here it is half full. Once a year it overflows, and often it is empty. A constant reminder of the extremes we live with.

My sister Barbara and I visited the Megalong Valley. We were able to set up our easels and do an afternoon's painting. It was warm, not hot. A slight breeze, and very sunny.

Last February I painted this beach and the village at Stanley in Tasmania. I think it was my last one for the holiday, and I've just found it in the trailer, still attached to the board. So it finally gets an airing. I really like it, and might frame it for myself.

One day, Bob and I and Honey took the motorhome and went off looking for some water to paint. We were disappointed at how many parks are still closed due to fire damage. Our closest (going south from Mulgoa) was at Thirlmere. One of the few 'natural' lakes in Australia (most a dammed rivers). So I painted this grassy scene, which had ducks frequently landing and swimming past. Magic.

A plein air day with friends at the Old Weir at Penrith. They are in the distance. When I go out with other painters we always spread out so far that its like painting alone. Except if you have a tea break, or need a colour that you left at home! It's always a treat.

After painting, we visited the Lewers Gallery to see the Warrick Fuller Retrospective. 

Left to right: Myself, Don Talintyre, Salwa Woodroffe, John Rice.

On my recent trip for a two day break, I hit the waves! 

Well, I painted them from a rock platform anyway.

 

 My open studio went very well. Sold a few paintings, and ended up with a clean, organised studio.