Oct 19, 2012

On the dark side - The Rocks, Sydney




This is the largest painting I have done so far. I wanted to feel that I could walk into it, up and down. There is a touch of Escher in there...



In reality it is an impression of many views of The Rocks... Sydney's old town.

Oct 2, 2012

"I'm here, where are you?"



Oil on canvas
120cm x 100cm

In the old town of Nerac, south east of France... it was raining and cold, but still very beautiful.


Sep 28, 2012

Bridge to Lock


In Nerac, the river was a golden brown from the recent rains. It meandered down under bridges and through locks. This gentle movement has influenced my technique and subject in this series of works.
Oil on Canvas 120cm  x 100cm

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Flood Way Home



Medieval towns in the south of France: I have a special fondness for this one: Nerac
Oil on Canvas 120 x 120cm

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Sep 18, 2012

The Green Lights of Agen


Agen café owners had pushed their chairs under the awning, as a heavy downpour had just drenched the town.
70cm x 90cm Oil on Canvas


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Aug 29, 2012

I'll go this way



Myself in the centre, my sister, Carmel on the right. A stranger on the left. 120 x 90cm Oil on Canvas


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Jun 24, 2012

Over Nerac


This is my first "studio" work from my France trip. I loved Nerac, and was overwhelmed by the abundance of old buildings that have been preserved. The river was a green-brown from the recent heavy rain, so that colour has influenced my memories. I will continue to work on this piece and more from the same area. Thank you for looking! (Sold)

May 30, 2012

The Grand Tour

We have been to the further most corner of the world from my home down under: working backwards... Bergen (Norway), Oslo, Stockholm, Helsinki, Copenhagen, Amsterdam, Paris and various towns in south France.
We have sketched and painted and photographed so many wonderful cityscapes and villages. Also, visited fantastic museums which housed works that I had studied in school and at college.
We stayed with friends in Helsinki, and explored Stockholm with Swedish mates.
A Grand Tour if ever there was one. It was so interesting and inspiring.
Bob and I have more than 10,000 images to manage: some are for painting reference, others for use in a Photographic Exhibition, and quite a few happy snaps, of course!
I painted while on the canal boat, and sometimes from the bank. Impressionism inspired the texture on this painting.
Click here to go to my South of France Blog

Apr 8, 2012

Daily Burden


A view of the miller taking his grain off to the local market.

Oil on Canvas
90 x 65 cm (36" x 24")
Available on Ebay: Click here to bid

Mar 15, 2012

Renaissance influence.



Just having some fun copying a Renaissance Madonna and Child. Our National Gallery in Canberra is currently hosting a show from Renaissance Italy, and after having visited it with my sister in law, I thought I'd do a copy for the exercise in fine motor skills! I'm painting this on canvas board, which gives more control than stretched canvas.
(I'm halfway through. I'll replace these pics with the final version... soon.)


Feb 18, 2012

First Save


A work that follows my favourite subject: Junior life savers in Rome, when the great flood arrives. 


Dec 31, 2011

Despite the bugs, Plein Air rules!


At least three bugs were sacrificed in the making of this painting. :|

I do believe plein air painting and life drawing are both essential exercises for visual artists. 
Regardless of one's usual projects and styles, these two activities help keep one's eyes open, skills honed and ego in check!


Here is my easel at my sister's country home. The drought has finished and the cattle are deep in pasture. The rains have greened up the hills (well, green for summer in Australia!)



Dec 29, 2011

Tranquil but for the noisy cows


I am staying with my twin sister, and we've been doing some fun things: backyard golf, target shooting! and en plein air painting from her back fence. This was a view of distant farm buildings, interrupted by a run of cattle. They were bellowing as they ran though my painting!

(I'm experimenting with painting oil on watercolour paper. This was done without a primer, and therefore was absorbing the paint a little too fast. Next one I'll try priming first.)


Dec 3, 2011

The Barber


Another classic scene from Chengkan Village. 
90 x 60 cm 
Oil on canvas

Nov 2, 2011

"Daily Burden"


Finished painting... almost. As soon as I post the image I can see changes that might be necessary. Best to leave it alone for a while, and move on to the next.  



Oct 27, 2011

Work in progress


Hello friends.
I have been neglecting to write in my blog, and so I thought I should post a pic of one of my new works. This is about 3ft x 2ft, and has been quite a challenge. I have been doing small sketchy daily watercolor paintings for many months, and I found that returning to large oil-on-canvas very difficult.
My medium was wrong, my paint brushes were thick and clumsy... it almost hit the bin one night!
Now, although I have some refining to do, I am happy enough with it.
When finished I'll upload a replacement pic.
Feels good to be back... :)
(and apologies to anyone who is following me on Twitter: as I spend too much time there, and tend to rant a lot, especially about our local politics... and only occasionally about art.)

Jun 25, 2011

The Poker Game


24"x 36" 
Oil on Linen
China village life. Men played poker in the street, 
out side their houses, in the parks, everywhere. 
They didn't seem to be gambling, just having fun. 

This painting is for sale. I can post to anywhere, world wide.
Please visit my web site for the price, and email details.

Jun 13, 2011

Geese in the Lane




We visited a small village in rural China, where we discovered these geese, looking like characters from a children's book. So cute. I wonder what they thought of us, taking photos.

Watercolor 
30cm x 42cm

Jun 9, 2011

The Visitor on Wednesday


20 x 36"
Oil on Canvas

We visited this rice mill in Southern China, and were able to watch the farmers using the same method that has been in place for hundreds of years. I was taken with the light and shadows in the room.

Jun 4, 2011

"Rain in Venice"


Painting size: 17 x 26 cm; (6.7" x 10.2" approx) with about one inch of white paper surrounding.
Watercolour painting (watercolor) ready to frame
by Shirley Peters

Venice was very beautiful in the cold winter. These old shops were warm and welcoming, making it easy to step inside.

Bidding starting at $1 on Ebay.

May 10, 2011

Two roughs with blue water


Perisher Valley, NSW Australia
Oil on canvas, 40cm x 30cm
Watercolour, 20 x 30cm
SOLD

I've been doing some "sketching" for possible new paintings, and was interested to see the similarity in these two roughs, both feature a blue serpentine-shaped body of water. I guess it could be a 'before' and 'after' .. except that they are on opposite sides of the globe. (Isn't gravity amazing?)

Apr 26, 2011

Hunters Hill: view from Sydney Cove


My entry in the Hunter's Hill Art Prize.
Oil on Canvas
90 x 90cm
AUD $1200


Mar 30, 2011

Shepherds Bay from under Ryde Bridge


"Plein Air" painting. I set up my easel under Ryde Bridge for this one. I love the natural framing of one bridge by another. Parramatta River is about two blocks from my home in Putney. Luckily I did not attract attention. Joggers and bike riders kept going. One old classmate passed by and we had a chat.
30" x 40" (76 x 102cm) 
Oil on Canvas

Mar 27, 2011

Workshop with Alexander McKenzie



I had a fabulous day learning new techniques from Alexander McKenzie on Sunday 27th March. It was held at the Hazelhurst Regional Gallery a few miles south of Sydney.
Alex instructed a 'master class' on how to break the process of painting into stages: the sketch, the blocking in, the information and mark-making layer, fine-tuning. Designed for busy working people who can only paint on occasions, this "stages' approach allows one to progress with a work... despite interruptions.


I love to see how artists arrange their paint, and this is Alexander's palette.
Alexander (with pony tail) is giving instruction to two fellow work-shoppers.
He had a half-started painting to use for demonstration.


Alex with his own work, which he used for demo-ing.


Mar 13, 2011

Children of the Pantheon


"Children of the Pantheon" explores the juxtaposition of youth with age, summer with winter, the new world with the old, and the possibility of Rome being inundated by flood waters when the global change finally comes... and the little nippers of Bondi Beach take over the world!
90cm x 175cm 
(35" x 68")
Oil on linen

Feb 6, 2011

King of the Hill


This snowgum is growing on the main range track near Charlotte Pass. It is one of many aged, weather worn trees that are surviving in one of the most exposed areas in all of Australia. 
Oil on canvas, 48" x 36", (120cm x 90cm)




Oct 5, 2010

Snow Gum Tree in the Australian Alps


Come Back to Me, Eucalyptus Pauciflora III
by Shirley Peters
90 x 120cm
Oil on Canvas


Available.
(Please email for price and delivery details.)

Aug 29, 2010

Aug 20, 2010


The Little Dancer at The Great Wall
Oil on Canvas 120 cm x 95 cm
Sold

Always good to be able to post a finished painting.
I wanted to make a dramatic statement that relates to the tragedy of the building of the Great Wall, which was constructed on the Northern border of China in the Ming Dynasty. Thousands of men died making this wall, and it was unsuccessful in stopping the nomadic tribes from invading. I found it sad and beautiful.
Within this setting I have put the  'Little Dancer of Fourteen Years', a bronze sculpture by Edward Degas. It is a subjective link that pulls this great desolate garrison into the civilised world of French Art, or takes the little dancer to impossibly far corners of the earth.
I previous posts I have shown the original sketch and early photos of this work.

Aug 6, 2010

Relationships between the viewer and the picture


I'm paraphrasing Eric Fiscl here...
There's a difference between a painting of one person, two people, or a painting of three or more people. A painting of one person is a one-to-one relationship. You look at the single figure ... is she/he confronting you or turning away, or luring you?
A painting of two people makes you, the viewer, a voyeur. You can be witnessing the dynamic between them.
Three or more people can become a dynamic... it can be a family group, a work environment, or just people on the street. You can become one of the many, or removed from them like being in a coffee shop, looking out a window.

Jul 23, 2010

Fresh and Wet!


Surfing the Canals: Timeout
By S. Peters
75 x 90cm
Oil on (triple primed) Canvas


Here is the latest painting for 'Fresh" Exhibition.
I have already hung all the other works, but this one looked so underdone. So I bought it home and repainted it. I'm happy with it now. Of course, it will still be wet when hanging at the gallery, but not to worry. We didn't call it "Fresh" for nothing!

Jul 18, 2010

Boys Own Adventures



I have been preparing three new works for a group exhibition next weekend. 
Here are two works finished, and I have one more to go. I'll post the third one hopefully tomorrow night. 

Apr 23, 2010

Four Girls in the Notre Dame

 Just a rough underpainting at this stage. But I thought I should post to show my new project. This is the Notre Dame Cathedral in Paris. It is very sacred, and we heard choral music when we visited. mmmm.

Mar 20, 2010

Mateship over Three Wars

A group portrait covering three wars.
World War I, World War II, Afghanistan.