Apr 10, 2022
Feb 28, 2022
I'm occasionally asked how I created an NFT. Non-fungible token.
So here is my process. Changes happen all the time, so there is a chance that my instructions will be soon out of date.
I started with a movie that I created myself by animating a waterfall. (You don't need a moving image. Just a jpeg will do.)
Get the wallet set up first.
1: Open an account with CoinSpot.com (or CoinBase or similar)
2: Deposit about AU$200
3: Buy Ethereum with that $200.
4: Open an account (called a wallet) with Metamask.com
5: Transfer your Ethereum from Coinspot to Metamask.
(Hint: You will have to use Chrome as your browser, then your Metamask Wallet account icon will sit in the top righthand corner as an extension, easy to access,)
Now to mint your NFT. (English: create your non-fungible token)
6: Open an account with Rarible.com
7: Upload your jpg image or movie to Rarible.com,
8: Decide if you want to add value by providing an “unlockable” file – eg: a high res version, suitable for printing as a bonus to someone buying your NFT.
Follow the prompts and fill in the fields.
9: Pay the “gas” fees (they vary every day, between $80 and $200!) This is where you need to use your wallet.
10: You have now minted an NFT.
11: Open an account with Opensea.com
and put your NFT up for sale on their site as well. I did this just to reach a larger audience.
NOTE: Expect to be charged for every transfer of money, and possibly when you buy an NFT.
There are lots of instructions on YouTube. Just google NFT.
Feb 19, 2022
Back to my favourite beach. Lobster Jacks Beach at Ulladulla, NSW Auatralia.
It is close to the campsite, private, allows dogs, almost always empty. Sometimes there is just sand, other times lots of seaweed. Beautiful rocks, some of which have memories of past foliage and sealife. Yes: fossils everywhere.
These are three plein air paintings, available on my Singulart web site.
Jan 9, 2022
Dec 7, 2021
I blame Covid.
Without meaning to, I've started noticing some Instagram artists who do abstract work. Lori Mirrabelli in Canada, Lana Dion in Sydney, and others. I really, really like their work.
Maybe this abstract thing might be worth playing with, in the privacy of my studio?
I felt the need to be private about it, as I've been fairly scathing of abstraction in the past. I saw Rothkos (and Motherwells? or similar) while at art school. (NSW Gallery) and didn't think it would ever be my thing. I could draw well, so why ignore that skill? The nuns said you had to use any talent that God gave you. And I thought I was "talented".
I also blame the teachers. We were not assisted in our choices as artists. We were left to our own devices to discover a path. Maybe because I was doing the Art Education course, which would end in my being an art teacher, they didn't think we students were worth cultivating as fine artists. I left the course and took up graphic design. In other words, I sold my soul to the dollar.
But when returning to painting full time in 2007, I found I had too many directions. So I stuck with the traditional painting option. The figure, as children and workers, cityscapes, harbourscapes, seascapes. Often paining plein air, with my surrounds dictating my subject matter. Trips to Italy resulted in paintings of the Roman chapels, France resulted in montages of the country side.
14 years on, it's time to look inwards. Total creativity. Abstract Art.
But, as I have the concentration span of a newt, I might change again. Who knows? Who cares?
Best of all, for me, might be a half way point: semi-abstract.
I'll let you know where I end up.
Nov 6, 2021
Acrylic on board
On the way to Mudgee we stopped at Windamere dam. I painted this loose version of the view, with the plan of becoming more abstract. Not sure that I will succeed as I love the landscape too much.
Cost includes a frame and postage.
Oct 19, 2021
I’m starting an experiment with abstract painting, seeking freedom at the easel. I am making images from nothing, starting with a white canvas, and no image in my head.I found this to be more thought provoking than I expected. Making a mark, and another, with no rules. Any shape, any colour, any texture. One could say there are millions of choices!
Aug 18, 2021
Just a quick note to say that "Abundant Waters" is still hanging on the Gallery walls, and will possibly remain there until after our lockdown is over. The directors are taking orders online, and the link is here:
Jun 14, 2021
Getting close to "brushes down": I need to leave one week before delivering my paintings to the gallery for my show.
This painting is 83 x 101cm, oil on canvas, painted on the sides. You can see it at the gallery, and also on my web site from July 1st onwards. My instagram has this and others as well, as I had to post them as soon as each one was finished.
Jun 7, 2021
The Walk of Shame: picking up your paintings from the NSW Art Gallery when they are not chosen for the prizes.
I can't recall how many Archibalds, Wynnes and Sulmans I have entered, but it's a fair few. I do know how many times I have scored a short listing: none. So I have walked the walk any times.
The staff are lovely, non-judgmental. They find your painting, and offer to carry it to your car if it's a biggie.
No one looks at the work. It's the elephant in the room. It doesn't exist. It's a frame of wood with a canvas covering.
Your work is not good enough. It's a fail. You have wasted your $50 and a bunch of time in delivering and picking up. So why look at it.
When delivering to the prizes, at the beginning, one feels hopeful. It's a happy time, as at least you have something to enter that is not still wet – main criterion. But no one looks at it then either. You lean it against the wall, face hidden. Then it is numbered and carried off.
I had hope, fingers crossed, that this year when they selected a nobody, and they always do, my entry would be the one.
After all, it's a good piece. It's well painted, fits the criteria, and everyone likes it on Instagram.
But the phone remains silent. Time passes. If you are on the outside (ie: you don't know any winners) you don't know when they will call. Your hope dwindles over the weeks, and eventually you face the fact: "babong"– another fail.
The winners are announced online. I used to rush to read the list, thinking it was a surprise for everyone! (not)
But it's fascinating to see who is chosen. Often the same artists from the year before, and of course, lots of well knowns. And some I've never heard of. And they publish the images. Always interesting, especially when seeing what the judges liked this year.
On this note, I've noticed that drips are now out of fashion.
Realism and traditional painting have always been out of fashion.
But then, what do they like?? The rules of the competition say:
Archibald: Best Portrait
Sulman: Best Genre painting or Best Mural
Wynne: Best Landscape Painting or Best Figure Sculpture
Funny word: best. Does it mean technically clever, favourite, preferred, exciting, new, different? Who knows. The Archibald has been compared to the Melbourne Cup. Yes, in my opinion, it's just as hard to pick a winner.
So, time to collect the paintings. Not easy when they are too big for my car! I have to use roof racks, so rain is a consideration. I have three paintings to collect, and two are huge. I won't be able to sneak in and out. I will be seen.
Today was the day. I went through the process: parking, collecting, wrapping, strapping and preparing for the drive home. A bit like going to a dentist, or a covid test. Unpleasant, but has to be done.
A small upside today. Leslie Dimmick from the Tap Gallery in Surry Hills came up and invited me to hang my work at her Real Refuse exhibition, for all of us losers. What a gem. She has been doing this for 25 years. (I think I've shown there before, a while ago. Can't quite remember now. )
So my Sulman entry will get a chance to be seen by the public and my peers. Hooray.
May 30, 2021
"Sirius Cove, Distant Rain" 180 x 100 cm Oil on Canvas
I have finished this large seascape and delivered it to the client last weekend.
It took a few trips: first one was to meet the client and see the space. And they showed me their 'backyard' which was this view: Sirius Cove
Then I returned the next day and did two plein air studies: